The M.V. Film Society hosting a Women in Film Festival from Friday, October 25, to Sunday, October 27, at the M.V. Film Center in Vineyard Haven. It looks great!
The festival features six films made between 2017 and 2019, directed by and/or produced by women filmmakers and featuring women’s perspectives on an array of issues. For more information about the films, including trailers, click here. Festival passes are $60 ($50 for Film Society members), and can be bought here. Tickets are also available for individual films.
I Am Not a Witch (Friday, Oct. 25, 4 p.m.) is a magical-realist satire about a young girl sentenced to a state-run witch camp. Young star Margaret Mulubwa has received rave reviews for her performance.
Be Natural: The Untold Story of Alice Guy-Blaché (Friday, Oct. 25, 7:30 p.m.) marks the rediscovery of a pioneer filmmaker who had faded from sight by 1919 and has been largely forgotten. Writer-director-producer Pamela Green will be on hand for a Q&A after the film.
Sensitivity Training (Saturday, Oct. 26, 6 p.m.). Rude, crude, and unapologetic microbiologist Dr. Serena Wolfe is ordered to undergo an attitude adjustment courtesy of perpetually chipper sensitivity coach Caroline. The two develop an unexpected bond in this “fresh and welcome spin on the classic buddy comedy.”
Paradise Hills (Saturday, Oct. 26, 8:15 p.m.). Paradise Hills is a facility, run by the mysterious Duchess, where high-class families send their daughters to become perfect versions of themselves. “With exquisite sets and costumes and a bounty of strong actresses, Paradise Hills is a fantasy confection with a dark horror center.”
A Fine Line (Sunday, Oct. 27, 4 p.m.). A behind-the-scenes look at restaurant culture with women at the helm, exploring why fewer than 7% of head chefs and restaurant owners are women. A conversation after the film will be led by Jan Buhrman of the Vineyard’s Kitchen Porch.
Atlantique [Atlantics] (Sunday, Oct. 27, 7:30 p.m.) This drama about young lovers separated by circumstance in Senegal won the Grand Prix at Cannes. Says BBC.com: “Dreamy yet sensual, fantastical yet rooted in uncomfortable facts, [Mati] Diop’s beguiling film may even have reinvented a genre.”